When a student is working on a piece of music that is getting a bit sloppy – perhaps the tempo is uneven, the touch isn’t articulated or the notes aren’t clear – I often task him with SLOW PRACTICE. (Meaning that I am asking him to practice the piece veeerrry slowly.)
The student usually groans.
(Often times when the student returns to me the following week, I can tell that he didn’t actually practice the music slowly.)
But if the student DOES spend a week practicing the piece slowly then ohmygoodness, what a difference it makes. He returns to his lesson, plays the piece again at regular tempo, and we marvel at how much more polished, clear and beautiful the music sounds. He often observes how much easier it is to play and how he feels less frustrated! Continue reading “Slow Practice: Why It’s Important”